Break the Night
Table of Contents
Other Anne Stuart books from Bell Bridge Books
Break the Night
Copyright
Dedication
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Epilogue
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About the Author
“YOU DON’T SCARE me, Mr. Damien,” Lizzie said, her voice shaking.
“Just Damien,” he told her, straightening. “And you lie, Lizzie. I scare you to death.”
Lizzie stared up at him, mesmerized by his shadowed face, by the grim, lost beauty of him. There was something about his eyes. They seemed to call to her across decades. She’d looked into those eyes long, long ago, in another lifetime, another world.
She took a deep breath. “Is there any way you could stop the article from running?”
“Not even if I wanted to. But I’ll give you a piece of advice. Get out of town. Go someplace where the streets don’t run with blood. Go as far away as you can until this madman is caught.”
“I can’t,” she whispered, still staring at him.
“Then may God have mercy on your soul, Elizabeth Stride,” he said, his voice sounding centuries old.
Other Anne Stuart books from
Bell Bridge Books
Historical Romance:
Prince of Magic
The Houseparty
Lady Fortune
The Demon Count Novels
Barrett’s Hill
The Spinster and the Rake
Romantic Suspense:
Nightfall
Shadow Lover
Now You See Him
The Catspaw Collection
Break the Night
by
Anne Stuart
Bell Bridge Books
Copyright
This is a work of fiction. Names, characters, places and incidents are either the products of the author’s imagination or are used fictitiously. Any resemblance to actual persons (living or dead), events or locations is entirely coincidental.
Bell Bridge Books
PO BOX 300921
Memphis, TN 38130
Ebook ISBN: 978-1-61194-751-9
Print ISBN: 978-1-61194-766-3
Bell Bridge Books is an Imprint of BelleBooks, Inc.
Copyright © 1993 by Anne Kristine Stuart Ohlrogge writing as Anne Stuart
Published in the United States of America.
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review.
A mass market edition of this book was published by Silhouette Books New York in 1993.
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Dedication
For Jenny-my-niece, who paper-clipped closed the section of the research book with actual photographs of Jack the Ripper’s victims. I was too squeamish to look.
Prologue
THE SKY OVER Los Angeles was blood red.
At first meteorologists thought it was a new form of pollution—red smog, caused by a combination of industrial exhaust and the peculiar weather conditions. A good stiff wind would blow everything away in just a matter of time.
But the red sky continued, and the scientists began to debate. It had to have been caused by the latest nuclear accident, or perhaps brushfires burning out of control. Maybe even an act of God.
The historians were no comfort. The red sky had been recorded throughout the past, from France in the 1400s, when Gilles de Retz cut a bloody path through the countryside, to London in the fall of 1888, when Jack the Ripper made his rounds, to Germany in 1905, when Peter Kurten, the Dusseldorf Ripper, carved his way through a terrified populace.
The Santa Ana winds blew hot and dry from the desert, swirling down from the blood red sky, and suicide rates tripled. The endless storms followed, drenching the sprawling cityscape. And somewhere in the dark, rain-soaked streets of Venice, California, Springheeled Jack, Saucy Jack, Jack the Ripper, made one of his periodic appearances. And the streets ran red with blood, so much blood that not even the rain could wash it clean.
Chapter One
LIZZIE STRIDE pushed her hair away from her face, leaving a streak of red paint across her high cheekbone. It was too hot in her studio apartment, but she couldn’t afford to turn up the air-conditioning. She couldn’t open any windows, either—the rain had been falling nonstop for days now, and even her skin felt moldy. Running the dehumidifier already ate up about half her electricity allowance—she couldn’t afford to crank up the air conditioner besides.
As long as her work survived, she could sit there and suffer. No one melted from a little heat and humidity, even if it felt as if she might. What mattered was the mask beneath her hands as she smoothed and shaped the red-tinged clay over the heavy eyebrows. If anything, the weather was good for it, keeping the material pliant for a longer period of time. Long enough for her to decide exactly how she wanted to shape this one. How to bring it to life.
She took several deep, calming breaths. Surely she could lower her steamy body temperature by meditating. The mind was infinitely powerful—she just hadn’t learned how to harness hers. She could hear Kate Bush on the radio, singing something eerie, a fitting counterpoint to the face beneath her fingertips. It had turned evil beneath her hands, as her masks had done far too often of late. She didn’t tend to waste much time analyzing her work. Each face grew on its own beneath her long, deft fingers. Sometimes a clown, all garish colors and absurd features, sometimes a diva with ostrich feathers and jewels. Sometimes a fiend from hell.
Unfortunately, the monsters sold better than the other, more frivolous masks. It was no wonder, she thought, shoving her hair back yet again. The world was full of human monsters, and L.A. had more than its share.
They’d found the sixth body two days ago in a dumpster in Venice, and within hours she’d been trapped at the police station once more, trying to make sense of a random savagery that should have had no connection to her at all. Except for the fact that each victim was wearing one of her masks when the body was found.
The Venice Ripper, they were calling him. Fortunately, the newspapers didn’t know about the masks, or about the truly horrifying details of the medically accurate butchery of the prostitute-victims. Lizzie was still anonymous enough, an innocent pulled into the horror by her art and by a madman’s random appreciation.
When the police had traced the second mask to her, she’d stopped working for a while—to
o horrified by the piece of evidence she’d identified. The blood-soaked papier-mâché had once been a Kewpie-doll face, and the knowledge that the killer had used her masks during his bizarre killing spree made her feel sick inside, like an unwilling accessory to the madman.
But stopping her work, hiding in her apartment when she wasn’t making ends meet as a waitress at the Pink Pelican Cafe, did no good at all. She’d made a lot of masks in the two years she’d been in the Los Angeles area, and sold a fair number of them. And the killer seemed to have an inexhaustible supply.
She sat back, staring at the mask beneath her fingers. The red streaks looked like blood, the mouth was open in a silent, hideous scream, and somewhere a killer waited—one of her masks in his blood-soaked hands.
Kate Bush stopped singing. The news came on, a muffled voice, one she didn’t want to hear. The Ripper had claimed another victim, the body found dumped behind a building near the beach.
And Lizzie brought her fists down on the mask, crushing it beneath her strong hands.
DAMIEN STOOD AT the window overlooking the gray, endless sprawl of the city, his long fingers wrapped tightly around a mug of coffee. He’d lost weight in the past couple of months, more than was good for him. It was no wonder—he subsisted on a diet of black coffee, straight tequila, cigarettes and fast food when he remembered to eat. Most of the time he forgot.
It was all right, though. He’d grown soft in the past few years. Life could do that to you—too many awards, too much money, and things got a little too easy.
Not that they were easy for him now. He’d left his job at the Chronicle after the second Ripper murder. After the second nightmare. Left his Pulitzer and his retirement fund and his beautiful, intelligent research assistant who’d let him know she was interested in doing more than his legwork, left behind the toughest, fairest editor in the business. Left behind a weekly paycheck, and his only connection to sanity.
None of that mattered. None of the safe, comfortable things he’d worked for made any difference to him any longer. He was a man possessed, driven, with only one need in life—to find the Ripper and stop him.
He looked at his reflection in the rain-streaked glass. Gaunt, unshaven cheeks, dark, tormented eyes, hair long and shaggy. The Ripper probably looked a great deal like him. Haunted. Hunted. Driven.
Damien leaned his forehead against the grimy window, staring out into the bleak twilight before he shut his eyes, only to see the blood once more, and hear the scream of the dying woman. The sound that would live in his mind forever. And he smashed his forehead against the glass, once, twice, until he heard the window crack.
THE APARTMENT WAS still and silent hours later when Lizzie let herself back in, locking the door behind her. She’d turned off the air-conditioning before she left, and the accumulated heat and dampness swept over her like a wave. She leaned against the door, not bothering to turn on the light. She could smell the clay from the smashed mask, the bitter, oily odor from that morning’s coffee, mixed with the memory of yesterday’s pasta. She almost wished for the hot, desert winds to sweep through, clearing away the constant, heavy rain.
“We’ll be glad to give you police protection,” Detective Finlay Adamson, the coffee-guzzling, avuncular police detective working on the Ripper case, had told Lizzie when he drove her back to her apartment late that afternoon. This time they’d kept her only three hours, going over the same old unanswerable questions. “I don’t think you’re in any particular danger—this psycho only goes for prostitutes, and he’d have no reason to hurt you. For what it’s worth, the police psychiatrist thinks he considers you some kind of ally, and—”
“Please, don’t!” Lizzie had begged him, the nausea rising. “It’s not my fault that some monster uses my masks.”
“Calm down, Miss Stride. No one’s blaming you,” Adamson said in his patient voice.
“I’m blaming myself! As far as I know, no one’s bought more than two or three masks of mine. I’ve asked everyone who sells them for me, and no one remembers making any more sales than that. Are you certain you’ve checked all the galleries and gift shops?”
“You wouldn’t believe how many times we’ve checked,” Adamson said wearily. “The kind of place that carries your stuff isn’t great on keeping records. We’re just lucky we found you in the first place. A reporter happened to recognize one of the murder masks as yours. Apparently he has a couple of them himself.”
The sick feeling in Lizzie’s stomach didn’t subside. “A reporter who collects masks? Who’s covering the Ripper murders? Doesn’t that strike you as a little too coincidental? Are you sure . . . ?”
“Don’t do my job for me, Miss Stride. Everyone’s a suspect in this case, even the most unlikely people. Including yourself. We haven’t discounted Damien, even if it doesn’t seem possible.”
“Damien?”
“Used to write for the Chronicle. J. R. Damien. He quit a few months ago to concentrate on the Ripper murders. Apparently he’s writing a book about them.” Adamson’s tone of voice made it clear what he thought of reporters getting in his way. “He still does most of their coverage of the Ripper murders. We’re just lucky he’s kept quiet about the masks. Reporters aren’t known for their cooperation with the police, but Damien’s been decent enough so far. Now don’t go getting paranoid about all this. We think the Ripper’s got enough masks to keep him busy for quite a while—you said you sold that last one more than a year ago, so he must have been planning this for a while. Just keep your doors locked and your guard up.”
“I do anyway. This is southern California, remember?” Lizzie said, trying to sound both tough and casual at the same time and failing at both.
“How could I forget?” Adamson had said wearily. “Give us a call if anything seems unusual.”
Lizzie stared around her dimly lit apartment for a moment, willing herself not to imagine murderous shadows where none existed. She shouldn’t have been so quick to turn down police protection. She shouldn’t have been so quick to take Adamson’s word for it that she was safe.
She flicked on the light, kicking off her sandals and crossing the rough wooden floor to stare at her ruined mask. She was safe, she reminded herself. No one knew who she was, presumably not even the Ripper. He simply had an affinity for her masks.
She shivered at the horrible thought, moving on into the kitchen area of her small apartment and reaching for a bottle of fruit juice. She needed to get away from here. If only she had family, money, some kind of escape.
Her family was long gone, her father no more than a name on a birth certificate, her mother dead by the time Lizzie was in college. As for money, that had always been a scarce commodity, and working as a craftsperson in an overpopulated area like L.A. didn’t lend itself to financial solvency.
Her friends, mostly actors, writers and the like, were even more impoverished than she was. None of them could lend her the money to get out of town, to go someplace where the sun shone without murderous winds ripping through your hair, a place where you could breathe, where you could meet a stranger’s gaze and not have to worry about whether he was going to hit on you—or cut your throat.
No, for now she was trapped in her heat-soaked apartment. At least no one connected her with the Ripper murders. No one besides the police and that one reporter even knew about the masks.
Except, of course, the Ripper.
And even he didn’t know where she lived. She sold her masks through shops and galleries, willingly paying the commission so that she wouldn’t have to deal with the ugly financial details. No one had been asking about her; no one had tried to find her address. Detective Adamson believed she was safe from the Ripper, and she wished she could share his certainty. She knew that if the Ripper ever found out where she lived, he would be paying her a visit.
The ringing of the phone sliced through the shadows, making h
er jump and slosh the bottle of juice over her oversize white shirt. She didn’t want to answer it. It was bad news; she just knew it and she wasn’t ready to deal with any more disasters today.
The answering machine clicked on, quiet, efficient, spewing out her generic message. And then Courtland’s arch, actressy voice, for once devoid of artifice, echoed throughout the apartment.
“You’re in deep shit, Lizzie, and you didn’t even tell me!” she wailed. “It’s all over the news, and even if they didn’t give out your address, all anyone has to do is pick up a telephone book and—”
Lizzie had already snatched the receiver off the cradle. “What are you talking about?”
“You’re there, are you? I should have known. I’m talking about the article in The Chronicle about the Ripper,” Courtland said. “And your masks. Why didn’t you tell me?”
“It’s in the paper?” The sense of doom that had been hovering beyond Lizzie’s shoulders settled down with a heavy weight. “What does it say?”
“Everything. It even has an absolutely terrible picture of you. Like I said, Lizzie, you’re in deep trouble—the local news stations are picking it up, and I wouldn’t be surprised if the national outlets don’t show up. I don’t know what the police were doing, letting that man print that article.”
“What man?” She tried to keep her burgeoning panic down.
“That reporter for the Chronicle. Damien something. He’s been running a regular column on the Ripper ever since the second murder. Haven’t you been paying attention to anything? I think you should sue him, Lizzie.”
The sky was almost pitch-black when she glanced out the window. It was only late afternoon but the rain was coming down in angry torrents, and somewhere out there the latest Jack the Ripper copycat was waiting. Waiting for her. “Sue him, hell,” she said, ignoring the tremor of fear in her own voice. “I’m going to kill him.”